e-book Art of the Japanese Garden

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Also, to extend upon capturing shape effects on symbolism, including mood, Magic Of Trees And Stones: Secrets of Japanese Gardening was a wonderful resource. It is more on the abstract theory and sayings of creating a garden. It seems in a way, with every new revision and growth toward better design in my garden, the sayings and guiding principles in Sakuteik come to life.

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With that context set, I will attach a few snippets of this book I found most helpful will be attached as follow ons… I am not done, but please comment and I would be happy to extend this posting. Learning process. Body learning vs Verbal learning groupings with a bit of context from the book. What sets this work apart is its depth and focus on unraveling the underlying design principles and its intent on providing a deeper understanding into the art of Japanese gardening. A sample of relative weights given verbal and experimental learning in western and Japanese models to clarify the point.

The Art of the Japanese Garden (9784805311257)

With a bit of context from the book. The principles of natural habitat and geological zones serve as keynotes in the broad philosophical framework of classical landscape garden design, and root it firmly in the world of nature that is our home. Especially in Sakuteiki do we find an emphasis on re-creating selected natural features and scenic places. While this same feature-oriented approach can be found in the Illustrations, it is not there to the same degree. This is important, for by paying more attention to these perceptual qualities- size, shape, texture, configuration-of materials, the fifteenth-century manual roots the garden not so much in the natural world as in the functioning of the human senses that perceive it.

This shift in emphasis is signaled as well by the relative occurrence in Sakuteiki and the Illustrations of the aesthetic concept fuzei.

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Fuzei implies a poetic, quality-oriented approach to design. It describes the effect upon the viewer of those emanations that the design produces by virtue of its peculiar configuration of perceptual qualities. Fuzei occurs fifty-nine times in the Illustrations, and only four times in Sakuteiki. This and the emphasis of the Illustrations on the perceptual qualities of materials used in the design would appear to reflect a nascent awareness of the tremendous power that such qualities have to evoke a mood or an atmosphere.

Once the awareness becomes fully conscious, the garden designer no longer has to faithfully reproduce features of the natural landscape in order to re-create the moods associated with them. Initially, it must have appeared that such moods belonged to the landscapes in which they were sensed, just as the indigenous Shinto kami spirits were believed to reside in specially designated rocks and trees and in aspects of flowing water. With the Illustrations, we witness the beginning of an awareness of the extent to which such feelings could be generated within the human heart through the pathways of the senses.


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In looking at an object we reach out for it. With an invisible finger we move through the space around us, go out to the distant places where things are found, touch them, catch them, scan their surfaces, trace their borders, explore their texture. It is an eminently active occupation. Impressed by this experience, early thinkers described the physical process of vision correspondingly. For example, Plato, in his Timaeus, asserts that the gentle fire that warms the human body flows out through the eyes in a smooth and dense stream of light.

Thus a tangible bridge is established between the observer and the observed thing, and over this bridge the impulses of light that emanate from the object travel to the eyes and thereby to the soul. Our bodies are the media by which we know ourselves and the world: our sensations of pleasure and pain tell us whether our inner needs are being met or deprived, and whether we are safe in our surroundings or in some way threatened by them.

From earliest childhood, we learn the powers and limitations of our bodies, not by rational observation but in a highly immediate, sensory way. We do not have to understand the principle of gravitational attraction in order to recognize and respond to it. The forces of nature-such as heat and gravity-are real to us only to the extent we experience them. We embody them, which is to say that we interiorize them through our sensations so that they become our own, highly personal and absolute.

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When we stumble on a staircase what we feel is not an invisible force pulling us toward the center of the earth but a sudden loss of balance coupled with a sensation of falling. There are hundreds of such physiological responses that we all learn through firsthand experiences in childhood. People who choose to be visual artists tend to be acutely attuned to sensory experience; they also must have the capacity to shape materials to express their vision in a concrete form that others may enjoy.

This garden can be categorized into two sections: inner garden and outer garden. The outer garden follows a path which would lead to reach to its inner garden. Both inner and outer gardens are separated by covered gate. It is a custom to wash your hands before entering into the inner garden. You can wash your hands from the stone water basin tsukubai which is placed in the garden. In general, Zen garden is small in size comparing to Tsukiyama and Karesansui.

You will encounter this type of Japanese garden when you decide to go to a tea ceremony. Stroll garden originally was developed in the Edo period , since then it has become one of the most beautiful styles of gardens that we see throughout Japan.


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There is no inner or outer garden can be found here but a path which is made only for a leisurely stroll. You are to follow a clockwise direction when you start walking through the path. It features a small central lake and pond with a path going around it. Two elements: boulders and trees could add extra beauty to this garden and usually they are featured, and you can witness this in Suizenji Park , Kumamoto. One of the advantages to this style of garden is — you have an opportunity to reveal the whole garden beauty from different directions.

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During the Heian Period, Japanese paradise gardens were first introduced to Japan by the devotees of Amida sect and Buddhist monks. This kind of garden is also known as Pure Land Garden and imitates the Buddha sitting on a raised level surface or island contemplating in the middle of a lotus pond. The major elements of this type garden are a pond with lotus flower, arch shaped bridge, a large Buddhist hall, and trees.

No complete pure land gardens could be found in Japan now but many major elements of this type garden can still be seen at Byodoin temple and Motsuji temple.

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Visiting a Japanese pure land garden could be very relaxing as it is one of the best ways of experiencing Heian period of tradition. Old Japanese style gardens can never be told that they are ordinary. A modern Japanese garden sometimes sounds ordinary but when you compare it with a Heian Period of garden, which is known as Japanese pond garden then there are many things to discuss about. Originally, it first was introduced in China, then it was introduced to Japan during the Heian Period.

Creating and maintaining this style Japanese garden is very costly than among the traditional style gardens described above. The main elements of a pond garden are a large formal building with two wings and a large lake or pond in front. You can experience the beauty of pond gardens only in Kyoto at Daikakuji temple and Heian Jingu Shrine. They are simply amazing places to discover and be dazzled by impressive surrounding scenery.

Between these two places, Heian Jingu Shrine shines with its sakura blossoms in the spring is a sight not be missed by any visitors to Kyoto. Japanese courtyard garden Tsuboniwa is a small garden featuring various types of elements we see in other Japanese styles gardens. Even though, it was first introduced in the Heian period but it actually was developed in the Edo period. A lot of Japanese merchants used to build small gardens behind their shops and houses.

In the past, many samurai residences in Japan were also decorated with this type of traditional Japanese garden. It has simplicity, more powerful with a simple arraignment possessing natural rhythms. In fact, some of Zen garden, tea garden, and hill garden elements together make a perfect Japanese courtyard garden.

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Here, elements are not supposed to be functional but ornamental. It is possible that a small space could turn to a scenic beauty spot when you decide to build a courtyard garden. So far we have learned about the the major three styles of Japanese gardens along with other traditional gardens. According to my knowledge, these types of gardens await you to purify your mind.

It is located next to Okayama Castle in Okayama. The garden is specious just like Kairakuen and Kenrokuen gardens. In , Ikeda Tsunamasa feudal lord ordered to build this garden, and was completed in the year of It had taken almost thirteen years to complete the project. You even can see few Japanese cranes red-crowned crane in the bird cage.

Kairakuen garden is a famous garden for viewing plum ume blossom in early spring. It is located in Mito, Ibaraki Prefecture and designated as one of the most three beautiful great gardens of Japan. I see this garden as the best landscape garden in all over Japan. I have visited many Japanese gardens, I have to admit that every Japanese garden I had visited so far in my life was marvelous, but I have to put this one aside. I would definitely tell you why I believe this is the best landscape garden of Japan.

The reason is — I am a plum blossom aficionado, and I visit this garden when plum trees are in full bloom during early spring. There are about varieties of plum trees that create an extra flavor to this garden. Show your honor and gratitude to the lord Tokugawa Nariaki by taking a visit to this garden who built this beautiful garden for you in Therefore, it deserves to be one of the three great gardens of Japan. It is located in Kanazawa , Ishikawa Prefecture. Built by the feudal lords of Kaga, Kenrokuen is a strolling style private garden. A big garden may consists of two or three types of Japanese gardens and real example for this fact is Kenrokuen.